A demonstration of artistic skills and styles is a required part of an art and graphic design programs admittance requirements. This can be a nerve wracking experience, since it can seem the next few years of a student's life are based on how their work is judged. It is truly nothing to fear if you have taken the proper plans to prepare your portfolio. More than simply choosing several pieces that look fantastic, it is important to have a coherent organized, structure, and creating new work to fill in any gaps.
A mission statement is usually included, and sometimes required by graphic design programs, in a portfolio. It basically states what the point of the portfolio is, more than just a random assortment of images it should have an intention behind it. Finding an overriding mission statement that adequately describes a random assortment of artwork can be somewhat difficult and contrived. Usually some of the art pieces will have something in common though, simply use those pieces as the of the portfolio. Many artists like to work in just one or two mediums like ink or paint. Even an art form like traditional vs digital artwork can be clustered fairly quickly. It is also fairly common to repeat topics, such as buildings, or animals as the main premise of a picture. These can all be unifying ideas. A mission statement can be as simply as wanting to explore miscellaneous objects set up around the house, or exploring the limits of Cont crayons in black and white pictures.
The purpose of a portfolio when applying to a graphic design school should be to establish technical ability, not creativity or aesthetics. The purpose of the graphic design programs' admittance procedure is to establish the applicant's level of basic technique and ability. Perhaps it would be a good idea to choose works that demonstrate thin line control in ink or pen as a good demonstration. It might be worthwhile having pictures that emphasize color choice and shading that is as accurate to life as possible. Look at your color usage in paintings from balancing contrasting colors to working with monochromatic themes. A handy tip: art program review boards love it when students submit works with accurate representation of reflections, such as in a mirror, glass bowl, or on water.
The last thing to do when preparing your portfolio for entrance into graphic design programs is to consider creating a couple of pieces. If the portfolio itself is still light on images this will be a good time to bulk it up some, in addition to making sure to focus on purely technical works. Even a simple piece can be fine to demonstrate skill and theme. If your strength is painting, paint a still life of one or two objects. Better yet, make one of those objects very shiny. If you work with digital art, create something that shows you thoroughly understand the software tools at your disposal, including brush types, filters, colors, and effects.
Remember that double checking can save some of the worst errors, and that every piece in the portfolio will be properly labeled and identified in case it is misplaced. Make certain that there is nothing wrong with the mission statement for the application at submission time. Get other people, preferably strangers to check over the portfolio. The packet should ideally have the best and most skilled art in. It may be necessary to add even more new works to the portfolio if it is not large enough.
A mission statement is usually included, and sometimes required by graphic design programs, in a portfolio. It basically states what the point of the portfolio is, more than just a random assortment of images it should have an intention behind it. Finding an overriding mission statement that adequately describes a random assortment of artwork can be somewhat difficult and contrived. Usually some of the art pieces will have something in common though, simply use those pieces as the of the portfolio. Many artists like to work in just one or two mediums like ink or paint. Even an art form like traditional vs digital artwork can be clustered fairly quickly. It is also fairly common to repeat topics, such as buildings, or animals as the main premise of a picture. These can all be unifying ideas. A mission statement can be as simply as wanting to explore miscellaneous objects set up around the house, or exploring the limits of Cont crayons in black and white pictures.
The purpose of a portfolio when applying to a graphic design school should be to establish technical ability, not creativity or aesthetics. The purpose of the graphic design programs' admittance procedure is to establish the applicant's level of basic technique and ability. Perhaps it would be a good idea to choose works that demonstrate thin line control in ink or pen as a good demonstration. It might be worthwhile having pictures that emphasize color choice and shading that is as accurate to life as possible. Look at your color usage in paintings from balancing contrasting colors to working with monochromatic themes. A handy tip: art program review boards love it when students submit works with accurate representation of reflections, such as in a mirror, glass bowl, or on water.
The last thing to do when preparing your portfolio for entrance into graphic design programs is to consider creating a couple of pieces. If the portfolio itself is still light on images this will be a good time to bulk it up some, in addition to making sure to focus on purely technical works. Even a simple piece can be fine to demonstrate skill and theme. If your strength is painting, paint a still life of one or two objects. Better yet, make one of those objects very shiny. If you work with digital art, create something that shows you thoroughly understand the software tools at your disposal, including brush types, filters, colors, and effects.
Remember that double checking can save some of the worst errors, and that every piece in the portfolio will be properly labeled and identified in case it is misplaced. Make certain that there is nothing wrong with the mission statement for the application at submission time. Get other people, preferably strangers to check over the portfolio. The packet should ideally have the best and most skilled art in. It may be necessary to add even more new works to the portfolio if it is not large enough.
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