Thursday, December 27, 2012

Giselle - A Chronicle Of Forgiveness, Tragedy And Love

By Haywood Hunter


Giselle is to ballet what Hamlet is to the theatre. Historically important in its own right, audiences flock to it so they may see it interpreted afresh by a new corps of ballerinas. Enthusiasts swear that every time they go, they always see something that they had missed on previous occasions.



A unique take on the theme of the love triangle, Giselle is the story of a young peasant country girl who perishes of a broken heart upon learning that the wealthy Albrecht, with whom she has fallen in love, was bethrothed to another woman. Hilarion, a commoner who is in love with the peasant girl, is seen mourning at her grave when he is surprised by the Wili, the ghosts of young women who had not lived to see their wedding days. They fill their nights for eternity by torturing men to death.

It is the normal practice of the Wilis to use their beauty to capture the attentions of young men and them force them to dance until they drop dead. Hilarion, they chase relentlessly until they toss him to his death in a lake. Moving on to serve a similar fate to Albrecht, they are thwarted by the ghost of the peasant girl. She forgives Albrecht, who is spared by the Wilis at dawn when they return to their graves until the following evening. Giselle may now rest eternally in peace.

The ballet was first shown in Paris in June 1841. It came to London in 1842 and travelled to Russia, Italy and the USA. It has been released as a film in 3D.

The leading role in this ballet is one of the most sought after by promising young dancers. It requires tremendous grace, a high level of technical skill and the ability to act convincingly. It was written by dramatist Theophile Gautier. It first starred Carlotta Grisi, for whom it was created by Gautier. Since then, the peasant girl has been portrayed by Alicia Markova, Svetlana Zakharova and Anna Pavlova.

Gautier was inspired by the story of the Wilis, which was written by poet and novelist Heinrich Heine. Gautier pictured it in his mind as a ballet. He worked with the composer, Adolphe Adam and choreographer, Jules Perot.




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